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Tweet – “OPEN THE BOX shows how a script as strong as well as minimal and a very talented actress can do a lot of things for a director.” There is here enough material for directors to explore for hours: a great minute of silence indeed, an exceptional prelude to the first, upcoming feature directed by Renusson. Objects and souls become points in a networks of relations, so sharp and intolerable: the grey palette, the whole set design and its details, the imperceptible reaction of the sister, the teapot. The use of subtitles is surprising, completely melted within the script, helping a huge subtext to emerge. This is a violent short: violence of many kinds rules the film at different levels, while all the characters are almost still and silent. Tweet – “A MINUTE OF SILENCE is a very great short, starting from its title, a bitter pun, and coming through all its sixty seconds.” (optional) Show a bit of love: violence is not surprising anymore.įor each year of Filminute history, a short film has been selected and analyzed with a tweet and its pillars. Be impressive: writing, directing and editing are the core of Filminute.ĥ. Be original: don’t use third-party works plot/sound/music/dialogues/whatever must be yours.Ĥ. Be humble: don’t try to do things your budget can’t afford.ģ. Don’t mess with the seven pillars: story, acting, directing, editing, cinematography, sound and music.Ģ. The rules used to evaluate a Filminute candidate during the “short and tweet” series.ġ. How better to describe a one-minute than in a tweet? Double the challenge, you might say, and the trouble, and let’s get to work.
One minute past midnight video series#
On the occasion of the festival’s 10th anniversary, time came for a Best Of, one that would direct itself after a precise set of rules that became embedded over the past years in the collective mind through the ‘short and tweet’ review series hosted by yours truly on Twitter. Among one-minute enthusiasts that weighed in on the festival over the past 10 years, we meet Paul Haggis, Neill Blomkamp, Samira Makhmalbaf, Stefan Sagmeister and Cathy Shulman.Įvery year, Filminute challenges filmmakers, writers, animators, artists, designers and creative producers everywhere to develop and submit the world’s best one-minute films.The festival is on throughout September, with viewers warmly welcomed on to view and vote for their favorite this year. What makes a great one minute film is innovation, cleverness and brevitude, and you might just as well check the picks of an internationally renowned jury from the past years in here.
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As short as the span of the film is, though, audiences are left intrigued and thinking about this or that little gem for days. Let’s talk one-minute films for a moment, shall we? There is this thrill that comes packed in 60 seconds, the challenge and discipline of displaying a fully developed story in no more and no less than one minute.
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I don’t know any other genre of cinema which requires such discipline.“ says Klaus Eder, the General Secretary of the International Federation of Film Critics (FIPRESCI), in welcoming this year’s edition of Filminute, the international one minute film festival. “The one minute format is some great thing, because you have only one minute to tell a story.