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He’s pretty comfortable in this new setting, even sneaking a not-groanworthy use of the word “lit” into his first verse. Trappish snares and a minimal piano line give Revival‘s second track a more contemporary feel – this is the sound of a rapper in his mid-40s doing his best to keep up with the kids. Then he snaps out of it in the track’s final seconds: “Me and you are not alike/Bitch, I wrote ‘Stan’!”
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Mathers plays along, bringing a thoughtful tone and flow to match. In the second verse, he makes the stakes he’s chosen for Revival explicit, referencing the critical and commercial high-water mark of the original MMLP (“It’s the curse of the standard/That the first of the Mathers discs set”) and describing his writing process in relatable terms: “It always feels like I’m hitting the mark /Til I go sit in the car, listen and pick it apart/Like, this shit is garbage!”īeyoncé comes through with humility and grace, and storied producer Rick Rubin (along with co-producer Skylar Grey) provides a sound that’s closer to the albums he made with Johnny Cash than the tougher-than-leather Run-DMC/Beasties beat he served up for “Berzerk” on Em’s last album. He’s heard your criticisms of his latter-day work, and they hit home. This is a serious, vulnerable track about the doubts that nag at a rap god late at night.